![]() Powerful, emotional, gut-wrenching, heart rending. (I did not cry myself, but one of my friends did). “Of course, I am hardly objective when talking about anything based on my own work… but I have to say, I thought both episodes were just great. The two rough cut episodes he previewed were a particular highlight. There is so much ground to cover that I am not sure twenty days would have been enough.” They were lively, fun discussions, and we got some good work done… though two days was not nearly enough. I love castles and have visited dozens of actual medieval castles, keeps, and towers in my time, and none of the real castles I’ve ever seen can hold a candle… or a torch… to our Red Keep.”īeyond visiting the sets, Martin said he also “spent two days locked in a room with Ryan Condal and his writing staff (Sara Hess, Ti Mikkel, David Hancock, and Philippa Goslett) talking about the third and fourth seasons of HOUSE OF THE DRAGON. HUGE, stunning, and so damned real that I felt as if I had gone through a time portal to medieval Westeros. ![]() “But nothing I have ever seen can compare with the Red Keep and Dragonstone sets they have built at Leavesden Studios in London. If you're a "fan" of those things, watch the show, and you'll be surprised by how quickly they take a back seat to the story and the characters.'Curb Your Enthusiasm' To Officially End With Season 12 On HBO In closing, if you're not a fan of gory violence, graphic sex and nudity, and casual profanity, this show won't be for you. The switch to his successor Liam McIntyre took a little bit to get used to, but McIntyre stepped into the unenviable position of taking over from a well-liked and tragically departed predecessor in a central role, and made it his own. By the end of the show I had come to care greatly about the central characters - and what else could possibly be the mark of well-written characters effectively portrayed? It's the stuff of TV legend by this point that Andy Whitfield, who gave a virtuoso performance as Spartacus in season one, was diagnosed with cancer shortly after filming wrapped, and that it took his life. Gory violence and graphic sex can only sustain a show for so long fortunately, the characters are beautifully written and developed, and their relationships with each other (romantic or otherwise) are allowed to evolve and progress. I rewound that scene a few times just to watch it play out. Crassus is speaking to both of them, and they are answering him - but Crassus is completely oblivious to the fact that Tiberius and Caesar are simultaneously having their own verbal sparring match against each other, while still advancing their three-way discussion. Also, the dialogue has the added virtue of being clever and well-written: for example, there's a scene in the final season (don't worry, no spoilers) in which Marcus Crassus is having a discussion with his son Tiberius and a young Julius Caesar. Yes, the dialogue is absurd and nobody ever spoke like that, but the actors deliver it with such unrestrained gusto and are clearly having such a blast making the show that you can't help but get swept up in it. And damn, did the show hook me quickly after that. However, I had seen John Hannah (Batiatus) and Lucy Lawless (Lucretia) in other things before, so I stuck with it. Nothing special a lot of gory violence, graphic sex and nudity, and colourful baroque mock-Shakespearean dialogue so over-the-top that I couldn't tell whether the acting was good or not. For the first two episodes, that's exactly what I got. I figured some swords-and-sandals would fit the bill in the meantime. I started watching this very belatedly in early 2019 while waiting for the final season of Game of Thrones.
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